NINA PAVLOVSKI graduated from The Opera Academy in Copenhagen studying with prof. Kim Borg.  Further studies with Galina Vishnevskaya in Paris and professor Kirsten Buhl Møller, Copenhagen.

She made her opera debut in 1993 at The Danish National Opera (Die Walküre), and in 1996 at The Royal Opera in Copenhagen (title role in "Madama Butterfly"). From 1997 as a soloist in the ensemble roles here include a.o. : Donna Anna, Liù and Alice Ford in Verdi's "Falstaff".

Nina Pavlovski has performed all over  Europe, in Russia, South America  and Japan. She has worked with conductors like Serge Baudo, Michael Schönwandt, , Giancarlo Andretta, Walther Weller, Mathias Aeschbacher, Dietfried Bernet, Tamas Vetö, Christian Badea, Giordano Belincampi, Francesco Cristofoli and Kent Nagano

With maestro Mstislav Rostropovich and The St.Petersburg Philharmonic Orchestra,  Nina Pavlovski sang the title role in Dmitri Shostakovich original version of the opera "Lady Macbeth from Mtsensk" in St.Petersborg & Moscow 
She has been singing  Tosca since 2001 - recently in a renowned production at Opera North by American director Christopher Alden.

Recent engagements include the parts of Giorgetta in Il Tabarro and the title role in Francesca da Rimini by Rachmaninov  directed by the English director David Pountney. In January 2006 she returned to the Royal Opera in Copenhagen to do Rosalinde in a new production of The Bat in the new Copenhagen Opera House.

The discography includes a.o. The End of Time by Rued Langgaard with Gennady Rozhdestvensky and the Danish National Symphony Orchestra/DR and a CD of Shostakovich songs, and Kundry in Wagner's Parsifal with Odense Symphony Orchestra and Wolf-Dieter Hauschildt.

Nina Pavlovski has received several prizes a.o. The Aksel Schiøtz Prize  in  2000 and The Lumbye Prize in 2002.